In our latest Shane’s Inner Circle article, I swing-in the method I used on We Are Marshall to execute a Headlight gag effect.
Today we are comparing Leica Summicrons to Leica Summilux lenses. It’s important to compare lenses so you can really find how each lens reads your talent.
I really wanted to find a set of lenses that I felt would deliver a cinematic look with this very sharp sensor that is known as the GH 4. The lens that really grabbed me was the Voigtlander.
In this series, you will get a bundle of content ranging from extensive camera tests to videos of camera technician Chris Herr explaining how he manages heat control, black shades, and what’s in his toolkit when he handles the RED Dragon sensor. You will also receive LUTs that you can use for your RED Weapon, Dragon, Scarlet, or Raven.
In this article, we are going to compare the Leica Summicron-C lenses to other lenses that are around the same price range, the Zeiss Ultra Primes.
I’m going to talk about how I light day exteriors and how I use specific types of lights to light day exteriors.
We have created a new series focusing on how to be a DIT On Set and expanding your knowledge on color correction. My DIT Derek Johnson walks you through his unique process of getting ready to be on set. He covers the tools he uses in his kit through what he does inside Blackmagic Design’s DaVinci Resolve in his color grading process.
Part 3 will show you the look and feel of the Olympus series of micro four third lenses on the GH4.
We’re going to walk through how we built our Direct Network Storage Solution system here at Hurlbut Visuals.
