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Act of Valor

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    • Lance Maurer and his team at Cinnafilm developed the Dark Energy Suite, a revolutionary texture management system. This is how I was able to seamlessly cut film and the Canon 5D MkII together on Act of Valor.


    • Win a Signed Act of Valor DVD

      December 18, 2012

      Are you following me on Twitter? How about Facebook? In the spirit of the holidays, we have two Act of Valor dvds to give away. All you need to do to become eligible to win is to follow Hurlbut Visuals on Twitter or Facebook.


    • Let’s look at how the crash cam world has changed because of the Canon 5D. It has replaced the eyemo that used to be a clapper of a 35 or 16mm with bad lenses. It could be blown up, bashed into, driven over, or you could even have a car land right on it.


    • When director Scott Waugh called me to shoot the video for the “Act Of Valor” credit crawl song “For You” by Keith Urban, I was excited to have the opportunity to get the whole Elite Team back together. It was equally exciting to hear Keith’s amazing song, which supported the story perfectly.


    • We were in LA on February 25th for a screening of Act of Valor, followed by a panel discussion organized by Barry Anderson. Our friends from planet5D filmed the event, and we are embedding that video below.


    • We’ve had a ton of questions via Twitter, Facebook and the hurlblog about shooting Act of Valor, so I thought I would share them in a Q&A format. Thanks so much to everyone for your support and kind words about the film!


    • When Scotty Waugh and Mike “Mouse” McCoy, the incredible directing team at Bandito Brothers, asked me to shoot Act of Valor, I was excited, especially after listening to their unique vision for the making of this movie. I was ALL IN.


    • A Media Manager Has Your Back

      December 16, 2009

      In the world of HDSLR technology, media management is a very important position. Every Elite Team member has held this position at some point during the untitled Navy Seal Movie to gain an understanding of HD image capture in a small footprint work-flow system.


    • Josh came down to San Diego on Wednesday to join the me and the Elite Team for a 5am call. He stayed at the Indigo Hotel with us (my treat) the night before because I didn’t want him to have to drive all night for such an early shoot.


    • The “Where’s the 5D” contest was so close that the winner Josh beat our runner up Tim by a single shot. Josh will claim his prize this Wednesday when he visits me on the set for the day.

      We decided to add a runner up prize…


    • WOW, ALL OF YOU ROCK!

      October 30, 2009

      WOW, ALL OF YOU ROCK !!!!!! Thank you so much. We had so many hits on Hurlbut Visuals with the 1080HD being viewed and downloaded that the server crashed at about 4:00am PST. You slayed the server, burnt the processor. FEEL GREAT ABOUT THAT.


    • Where’s the 5D?

      October 25, 2009

      Remember reading Where’s Waldo when you were a kid? We had so much fun playing a similar game to test your vision and your response was overwhelming! Thank-you for taking the time to play and making it so hard to choose a winner!


    • The Untitled Navy SEAL movie has taken me to some of the most extreme working conditions that I have ever experienced in my career as a Director of Photography. We traveled to the following locations: the jungles of Costa Rica, the swamps of Mississippi…


    • Speed and production value are intertwined. Production budgets are shrinking and companies are asking for more from cinematographers and crews that ever. One way to meet that need is by increasing your speed without sacrificing quality. Specifically, when using Canon 5D Mark II camera for a project…


    • Shooting in Puerto Rico has tested the Canon 5D Mark II with intense humidity and rain. Yet, every time the camera has delivered.

      We shot running footage of motorcycles speeding down roads, splitting traffic, and near misses by literally gaffer taping the Canon 5D to the motorcycle.


    • The Canon 5D Mark II is approximately 2.5 pounds with a still lens, 4.5″ high 3″ deep and 6″ long. Wow!

      It is nimble and inexpensive so you can have multiple camera bodies working in different configurations simultaneously. Not being stuck with a traditional shoulder mount allows you to create a new visual language.